ngau4gat1dei6

有關心噏!
What is Sum Up!?

作為牛吉地首個主辦的活動,心噏! 提供自由平台/空間予牛吉地之用家,不論藝術形式或呈現方法,分享他們的構思。是次參與心噏! 的藝術工作者都曾在牛吉地進行創作,牛吉地邀請他們參與首屆心噏! ,範疇包括舞蹈、劇場、聲音、身體研究等。心噏! 期望透過藝術多樣性帶來跨界藝術上的交流、發掘不同藝術愛好的觀眾及進行藝術上的討論。心噏! 並非是演出主導的平台,我們著重創作者主導的空間,讓創作者全權決定他們的創作如何進行。所以,心噏! 是一個演出、分享會、工作坊或是根本不用分得這麼細?點擊此頁 最底的連結 了解更多!

As the very first event host by ngau4 gat1 dei6 (NGD), Sum Up! is an open platform for our users to share their ideas regardless of art forms and presentation modes. Participating artists in Sum Up! has conducted their creation processes in NGD before. And we now gather them in Sum Up!, involving dance, theatre, sound, body research, etc as our users come from various backgrounds. With such diversity, Sum Up! aims at triggering cross-border artistic discussion and exploring and making discourse with diversified audience. Sum Up! is not a performance-led platform, but an artist-led platform, where NGD users have full autonomy in deciding what and how to do. So it can be performance, informal sharing, workshop, or any other form that is not necessary to be categorised. Please scroll down to the bottom to click for more details!

有關牛吉地
What is ngau4 gat1 dei6 (NGD)?

牛吉地是有關於如何於本地藝術生態營運獨立藝術空間的藝術計劃。牛吉地歡迎任何藝術愛好者及工作者之合作機會。心噏! 是牛吉地小試牛刀的計劃,希望去摸索在傳統演出平台外,表演藝術活動到底有沒有其他可能性。

We consider NGD as an art project that explores how far/extensive/flexible/... an independent art space can go in local art scene. We welcome all possibilities from art lovers and practitioners. Sum Up! is a kick off project of NGD to prospect for an alternative way for creators to present their ideas, apart from making it conventionally.

Sum Up! #1

紫青色的食慾 The Bruised Appetite
靛青 Indigo - 怪魚 The Weird Fishes

靛色,關於無所適從的顏色
一個真實與虛構並置的故事
一堆比喻,是文字也是聲音
是音頻也是共震
一把兩把三把聲音
一同去模塑一個空洞
一堆感覺
一首讓人釋懷的歌

Indigo, a colour for outcasts.
When the reality is a paradox,
and metaphors, which made up with text and sound,
a pitch and a tone
one two and three voices
to mould a void
with sophisticated feelings
A lullaby about letting go

 

陳家蔚 Kiwi Chan

www.kiwibirdchan.com

畢業於香港中文大學文化研究系碩士,現為自由身創作人,涉足舞踏、實驗劇場及環境舞蹈。除了創作,亦備有藝術行政、製作及策劃經驗。 

創作於我從來也不是一件輕鬆的事,卻是一件讓我自在的事。我喜歡探索形體之中的可能與不可能,所以舞踏及接觸即興從2012年起一直為我的創作提供養份。舞踏不止是一支舞作,更似是一套哲思。作為一個不入流的舞踏藝人,我作品的核心是關於蛻變,透過肢體的律動去帶動感知。我投身當代劇場,因為我相信表演藝術是分享存有的最好場域。

An independent artist and creative producer, whom creations focus on Butoh, experimental theatre, and site-specific dance. Graduated from Inter-cultural studies (MA) of The Hong Kong Chinese University in 2013.

Creations are both my passion and struggle, crave to explore new possibilities. I enjoy the dilemma of body, Butoh and Contact Improvisation have been my biggest inspiration since 2012. Butoh is not only a dance form but a philosophy. Being an indie Butoh artist, my concern is  about metamorphosis, what I want to seek is “somatic resonance”. I devote myself to contemporary theatre, as I believe that performing art is a field requested presence.

Sum Up! #2

《張利雄》
<Cheung Lee Hung, Holmes>

《張利雄》是一個探討各個個體如何相互理解的作品。創作源於張利雄在舞蹈界時,會被稱為演員,在戲劇界時,卻被指是舞者。從而開始疑問自己是怎樣被認知及定義,怎樣的身體才稱得上演員、怎樣的表演才算是舞蹈。整個演出由張利雄的自我介紹開始,到過往的演出及經歷,觀眾如何接收台上真實的張利雄,表演藝術能讓你我達到怎樣的理解。

<Cheung Lee Hung, Holmes> is a work that explores how individuals understand each other. This work originated from the situation that Holmes was often referred as 'actor' in the dance community, while as 'dancer' in the drama community. In this way, he began to question how he was being understood and defined, what kinds of body should an actor carry and what kinds of performance shall be called dance. The whole performance begins with Holmes' self-introduction, along with his past performances and experiences, and as such explores how the audience would understand the real Holmes on stage, and the roles of performing arts.

張利雄 Holmes Cheung

生於香港,畢業於香港知專設計學院主修廣告設計。現為自由身演員、舞者及平面設計師。以多種身份和眼光探索劇場及表演藝術,近年積極投入創作及參與各類型劇場表演。

創作作品包括《現場》2019於CCDC舞蹈中心主辦之《二延體》與聲音藝術家劉曉江及編舞黃杜茹共同編創;言吾寺《瑪吉阿米》(香港及台灣版)發表於《不貧窮藝術節×香港》及台灣《恆春現場》。

近年參與演出包括浪人劇場《一劍蜀山》、《大熱幻景》、《自由樂園》;李偉能《出竅》(舞蹈新鮮人系列)、《世界(曾經)是平的》(香港及韓國版);不加鎖舞踊館《身體運動》;言吾寺《尋找哈維爾》;影話戲《一絲不掛》;譚孔文《異質沙城.洞穴劇》;影話戲x斐劇場《誰缺席了》、《誰又缺席了》(首演及重演)。

Born in Hong Kong. Graduated from Hong Kong Design Institute in Advertising Design. Freelance actor, dancer and graphic designer. Exploring theatre, dance and movement with the perspectives from both a designer and a performer, Cheung has actively participated in and carried out a wide variety of theatre performances and experimental creations.

Recent created include “Cheung Lee Hung”(2020) presented by E-side dance company “Imagination Boom 5”, “Live”(2019) co-created with Lawrence Lau and Sabrina Wong, presented by the CCDC Dance Centre “2nd Stage”, “Makye Ame”(2019 Hong Kong and Taiwan version) co-created with YinNgZi presented by “Let's Be Together Arts Festival Hong Kong” and Taiwan “HengChun Live”.

Recent performances include Theatre Ronin “Practice of Zen”, “A better tomorrow”, “Free Playing Park!”; Joseph Lee “Drifting”, “The World Was Once Flat”(Hong Kong and Korea version); Unlock Dancing Plaza “Bodynamics”; YinNgZi “Anti Kōdy”; Cinematic Theatre “Lightening”; Alex Tam “Cave Theatre”.

Sum Up! #3

《瑪吉阿米》 365+

這裏有魚缸,有水,有人。

There are tanks, water and persons.

曾凱渝 Tsang Hoi-yu

自由身工作者,現主要參與表演藝術和聲音創作。

如西蒙・韋伊在《壓逼與自由》所說:「他們無法阻止我們更清楚地設想我們努力的對象,因而就算我們無法完成我們想要的,但我們至少曾經渴求過,而不只是盲目地盼望;另一方面,我們的弱點可能真的讓我們無法獲勝,但卻不會讓我們無法理解碾碎我們的那股力量。世界上沒有什麼能禁止我們保持清醒。」

Freelancer. Tsang currently participates in sound and performing art creations.

As Simone Weil said in Oppression and Liberty: “They cannot stop us from working towards a clear comprehension of the object of our efforts, so that, if we cannot accomplish that which we will, we may at least have willed it, and not just have blindly wished for it; and, on the other hand, our weakness may indeed prevent us from winning, but not from comprehending the force by which we are crushed. Nothing in the world can prevent us from thinking clearly.”

Sum Up! #4

《怪物》(讀劇劇場)
Freaks(Reader’s Theatre)

《怪物》作爲另劇場「極黑系列」第二部曲,旨在從「教育」為起點,去探討人們不同的價值觀。故事由一名教學助理的解説開始,然後圍繞著兩位怪獸家長如何為子女贏得最後一張「頂級尖子精嬰學前教育父母課程」申請表而展開。

As the second episode of ‘the Darkest in the Darkness’ series, ‘Freaks’ tries to explore different angles and values in life journeys that start from education. Narrated by a teaching assistant, the story is about two monster parents fighting for the last application form for the parenting course of the Premier Forerunner Elite Pre-school.

另劇場 Theatredetour

「另劇場」,乃本地劇舞台劇劇團,由2002年成立至今,以非牟利團體形式運作。我們抱著「從人出發」的精神,尋找創新的戲劇路向,不介意多繞、多走不同的路,旨在多見、多聽、多感受週遭的人和事,而最終回歸劇場,亦試圖以戲劇感染、刺激人去「思考生活」。

As an NGO in Hong Kong, Theatredetour has been a local theatre since 2002. With the mission of producing human-oriented theatre acts and the passion of exploring innovative directions in drama, we dare to take any detours in our journey as we see them as opportunities to see, to listen and to experience. Transformed into our productions, we believe these life experiences will become an inspiration for our audience.

Sum Up! #5

三不像 — 一個 97女生的讀白 
What If — a monologue from a 97 girl

生於1997的平凡女生,短短二十多年人生,沒有太多經歷。 來到2020,步履突然變得淩亂,站在三岔口間,才發現我們都只是「一個人」,一個追趕著成長,嘗試尋找著變化的人。在人來人往間,我們遺忘了什麼嗎?

When we come to 2020, our planning has been disturbed. Standing at the crossroads, the ordinary girl realises that she is just a soul like many others trying to grow, seeking for changes. Sailing on the endless sea, have we forgotten anything? Or have we been forgotten? 

梁海頤 @一舊飯團
Alysa Leung @ Riceballshk

香港浸會大學傳理學學士(榮譽),現為一舊飯團成員及自由工作者。 參與宣傳統籌大館《Elan Lost Child Project HK》一舊飯團女生獨腳戲《My First Bra Talks》、《我們很快樂》(七度公演)等。 同年於非常林奕華當實習生。 

自三歲起習芭蕾舞,獲英國皇家芭蕾舞學院八級(優異)及 專業級文憑,並曾受訓於 鄧樹榮戲劇工作室 ‘PTI專業形體戲劇青年訓練’。 現為城市當代舞蹈團 幼兒劇場研究核心成員 。

2020年起,跟隨林珍真協助獨腳戲及創意工作坊教學,超過五十位女生創作屬於自己的作品。同時與不同大專院校、非牟利機構合作,協助培訓對象包括青年至銀髮模特兒。

曾參與演出 蛋糕姐姐親子寶寶劇場《BB碌碌Look》,香港藝術節2019 ‘everything that raises must dance’ , Nina Dipla Dance Theatre Workshop, David Glass x 甄詠蓓戲劇工作室 ‘AUTHENTIC VOICE AND LOST CHILD PRINCIPLES’, 蛋糕時間親子互動音樂劇場 《吱吱喳喳動物嘉年華2 之獵人來了》、《小樹的神奇音樂畫筆》、一舊飯團《差一點我們墜機》、好戲量《忘了時間》(日落劇場版)等。

Graduated from HKBU School of Communications, Leung is currently a member of Riceball Associations, freelance performer in dance and theatre. 

Started ballet since Leung was three , she received RAD advanced 1 certificates. Now, Leung is one of the CCDC baby theatre research core members, and training in Two year- Professional Physical Theatre Youth Training programme. 

Since 2020, Leung has assisted in woman solo workshop under Jen Lam’s direction. The team has guided over 50 women to create their own piece. Meanwhile, she actively assists different parties e.g. teenage, elderly in drama training. 

Leung participated in ‘BB LOOK LOOK LOOK’ , ‘Pine's Magical Music Brush‘(Mini Cake Theatre) , ‘the HER diary’ (Riceball Association), ‘Everything that raises must dance’ (Hong Kong Arts Festival 2019), ‘AUTHENTIC VOICE AND LOST CHILD PRINCIPLES’(David Glass x Theatre O Workshop) etc.

Sum Up! #6

Men act, women appear

你如何觀看肢體?

你如何觀看女性肢體?

你如何觀看具誘惑性的女性肢體?

你如何觀看身上掛滿玩具的具誘惑性的女性肢體?

The ways of seeing a body.

The ways of seeing a female body.

The ways of seeing a seductive female body.

The ways of seeing a seductive female body covered with toys.

黃寶娜 Pona Wong, Paula

畢業於中國文化大學藝術學院舞蹈系, 主修現代舞。現為自由身舞蹈藝術工作者。

Graduated from Chinese Culture University Dance Department in 2019, majoring in Contemporary dance. Now work as a freelance dancer.

Sum Up! #7

深水埗的身體
Bodies of Sham Shui Po

深水埗成了熱議題目,常說,此香港貧民窟沒有受到適切的關注,而藝術家的關懷又常被批不實際。

戲劇表演強調模仿,而模仿需要同理心。

庭軒將在此展演中,同時作為深水埗居民及劇場演員,以表演技巧作為理解工具,以身體剖析正在鴨寮街行走坐臥的人。

Sham Shui Po has become a hot topic. It is often said that this Hong Kong slum has not received proper attention, and the care given by artists is often criticized as unrealistic.

Drama performances emphasize on imitation, and imitation requires empathy.

In this workshop, Henry will serve as both a resident of Sham Shui Po and a theater performer, adopting acting skills to understand and to analyze people in a physical approach, in order to get to know the people walking, running, sitting and lying on Apliu Street.

陳庭軒 Chan Ting Hin, Henry

-香港小劇場獎 最佳男主角
-香港演藝學院戲劇學院表演系(一級榮譽)學士
-劇團窮人誌聯合創辦人
-鄧樹榮戲劇工作室專業形體戲劇課程: 課程設計及導師
-前Atelier Theatre全職演員
-去劇場召集人

-Outstanding Lead Actor, Hong Kong Theatre Libre
-Bachelor of Fine Art (Acting) First Honour
-Co-founder of theatre group the Poor Guy Diary
-Instructor and Course Designer, Physical Theatre Institute by Tang Shu-wing Theatre Studio
-Former resident-artist, Atelier Theatre Company
-Convener, Nobodies’ Theatre

Sum Up! #8

寫照 Portrayal

「因為某些緣故,無論原因為何,這些人物的形象出現了。他們一直沉默不語。為了了解他們是誰,我們刻畫。」

“ For some reason, no matter how, images of these people appears. They remain silence. For the sake of Understanding, we depict. ”

何明恩 Ho Ming Yan

二零一六年畢業於香港演藝學院當代舞系,主修編舞,熱愛創作,現為自由身藝術工作者。除了參與編舞和演出的工作之外,何氏亦醉心藝術教育。通過表演藝術,更深切地察看身邊的人,放眼了解她身處的社區、城市、世界,期望在生活中看見、發現並實現更多可能。近年創作包括:Unlock Body Lab: dance-to-be Launch Edition 階段展演及分享(2020)、孟加拉海洋舞蹈節《Mammalistic》(2019)、康文處舞蹈日環境舞蹈《康樂設施》(2018)、CCDC舞蹈中心「真演出」系列,與曾詠暉以合編長篇作品《塌塌嵌》(2018)等等。近年參與作品包括:黃靜婷《遙遙之城》(2020)、陳冠而小息劇場社區文化大使《我們的山》(2020)、藍嘉穎舞蹈錄像《山海流》(2020)、新約舞流音語來回教育計劃《Hear, We dance》(2020)等等。

Ho Ming Yan Hong Kong Academy for Performing Arts (2016) with a bachelor’s degree majoring in Contemporary Dance and Choreography, and she is now working as a freelancer. Passionated in connecting dance with our lives. Her recent choreographies include: “Unlock Body Lab: dance-to-be Launch Edition”by Unlock Dancing Plaza(2020), “Mammalistic” was presented in The Ocean Dance Festival (2019, Bangledesh). “Recreational Facilities” site specific by LCSD Dance day(2018). She co-choreograph “Fit-in-What”with Tsang Wing Fai in CCDC Dance Centre Real Show Case Programme(2018). As a performer, she had involved in the following projects: “往山裡去” by The Little Breath Workshop(2020), “May Be Tomorrow” by Chloe Wong(2020), “Mountains, Seas, Panorama” dance film by Blue-Ka Wing & Wilfred Wong(2020), “Hear, We Dance” by The PassoverDance.. etc

Sum Up! #9

水.藝

這是一次聆聽身體的旅程,藉着呼吸練習的帶動,打開對身體內部的觀察,再細心聆聽身體所發出的聲音,將身體交由身體作主導。練習都圍繞着水為主題,透過水的意像,慢慢將自己不必要的緊張放下,重新啟動身體活力的機制。當我們身心都調整後,再運用水為自己記錄下此刻的「我」。

盤彦燊

香港當代舞蹈藝術家。2010至2014年移居北京,並成立身體力行戲劇舞蹈工作室。 2014起以獨立藝術家身份在歐洲及亞洲不同地域進行創作、演出、研發及教育工作。其創作從亞洲哲學角度觀察當代社會的現實,以舞蹈及跨媒體的藝術行動打開城市人的生活盲點,從而喚醒人的覺知及提供轉念的可能。代表作品:《夜·奔》、《看,不見(城市);》、《渦》等。盤氏帶著其身體觀和作品走訪世界不同地方及舞蹈節巡演,包括:北京現代舞雙週、香港藝術節、Supercell布里斯班當代舞蹈節、芬蘭月滿舞蹈節、墨爾本藝術節、京都實驗藝術節、首爾國際舞蹈節、廣東現代舞週等等。盤氏近年於2016年獲香港藝術發展獎「藝術新秀獎(舞蹈)」,近年獲提名「香港舞蹈年獎2018 - 唐白朗新晉編舞」,並於2019年獲得亞洲文化協會獎助金。

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